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Get Free Ebook I Never Saw Another Butterfly: Children's Drawings and Poems from the Terezin Concentration Camp, 1942-1944

Get Free Ebook I Never Saw Another Butterfly: Children's Drawings and Poems from the Terezin Concentration Camp, 1942-1944

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I Never Saw Another Butterfly: Children's Drawings and Poems from the Terezin Concentration Camp, 1942-1944

I Never Saw Another Butterfly: Children's Drawings and Poems from the Terezin Concentration Camp, 1942-1944


I Never Saw Another Butterfly: Children's Drawings and Poems from the Terezin Concentration Camp, 1942-1944


Get Free Ebook I Never Saw Another Butterfly: Children's Drawings and Poems from the Terezin Concentration Camp, 1942-1944

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I Never Saw Another Butterfly: Children's Drawings and Poems from the Terezin Concentration Camp, 1942-1944

From the Inside Flap

sand children under the age of fifteen passed through the Terezin Concentration Camp. Fewer than 100 survived. In these poems and pictures drawn by the young inmates, we see the daily misery of these uprooted children, as well as their hopes and fears, their courage and optimism. 60 color illustrations.

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From the Back Cover

A total of 15,000 children under the age of fifteen passed through the Terezin Concentration Camp between the years 1942-1944; less than 100 survived. In these poems and pictures drawn by the young inmates of Terezin, we see the daily misery of these uprooted children, as well as their courage and optimism, their hopes and fears. The ghetto of Terezin (Theresienstadt), located in the hills outside Prague, was an unusual concentration camp in that it was created to cover up the Nazi genocide of the Jews. Billed as the "Fuhrer's gift to the Jews", this "model ghetto" was the site of a Red Cross inspection visit in 1944. With its high proportion of artists and intellectuals, culture flourished in the ghetto - alongside starvation, disease, and constant dread of transports to the death camps of the east. Every one of its inhabitants was condemned in advance to die. These innocent and honest depictions allow us to see through the eyes of the children what life was like in the ghetto. The children's poems and drawings, revealing maturity beyond their years, are haunting reminders of what no child should ever have to see. This expanded edition of I Never Saw Another Butterfly is published in cooperation with the United States Holocaust Memorial Museum in Washington, D.C.

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Product details

Paperback: 106 pages

Publisher: Schocken; 2nd edition (March 15, 1994)

Language: English

ISBN-10: 0805210156

ISBN-13: 978-0805210156

Product Dimensions:

7 x 0.4 x 10.5 inches

Shipping Weight: 14.4 ounces (View shipping rates and policies)

Average Customer Review:

4.9 out of 5 stars

100 customer reviews

Amazon Best Sellers Rank:

#14,031 in Books (See Top 100 in Books)

[...]Recently reading about the Houston Holocaust Museum's planned 2013 exhibition titled The Butterfly Project, I read for the first time Pavel Friedmann's poem The Butterfly" in which he remarks that he has seen no butterfly in the ghetto though some of the beauty of the natural world insists on itself even there. The ghetto is the Terezin Concentration Camp in Czechoslovakia. Terezin was a bizarre experiment of the Third Reich, which set it up as a place to hold Jewish artists, intellectuals, and German army veterans of World War I. To these Jews and to the world it presented this depraved and dirty ghetto as a gift to these Jews who had greatly to German culture. In face, the Germans even succeeded in fooling the Red Cross into believing the place was OK.Meanwhile, 15,000 childre passed through Terezin, but fewer than 100 survived. While they were in that hellish bastion of cruelty, these children were nevertheless blessed by the Vienna-born, Bauhaus-trained artist Friedl Dicker-Brandeis. Under her gentle direction and with the few art supplies shemanaged to hoard, many ofhtese childdren found a release for all that they were feeling as they encountered Nazi cruelty and awaited death every day.I Never Saw Another Butterflyexhibits these children's artwork, poems, and prose in the space of 106 pages. The book includes a catalog of the works that identifies the young artists' birth, deportation, and death dates.When the book arrived the other day, I decided I would not read the book until I coul read it in one sitting. The book deserves complete, uninterrupted attention. The innocence and honesty, truth and reality captured by these children create beauty where otherwise beauty could not take hold. Works of art on scraps of paper are the legacy of murdered children to the present. May we learn from them.

Hey, try to open up your heartTo beauty; go to the woods somedayAnd weave a wreath of memory there.Then if tears obscure your wayYou'll know how wonderful it isTo be alive.--Anonymous, 1941,
[...]

Everyone knows of the atrocities that the Nazi's perpetrated during the Holocaust, but how many people stop and think about the children that were in the concentration camps? Or what they had to bear? Shocking as it is the children at Terezin were allowed to have some time together, with a former art teacher, to sketch and create, and to basically have a form of art therapy for all of the horrors they were seeing (not that the Nazi's realized that therapy was occurring.) This book captures some of the poetry and artwork that these children created. Their fears, their hopes, and their dreams are laid out in the open for all to read. It is a powerful book and I would highly recommend it to all, especially to those taking or teaching a class on this time period.

Even if one more reference to the Holocaust is painful for you, you must own and read this book. Why? Because you will see the horror of that bleak chapter of human history through the eyes and hearts of children. As if by a miracle, these children purify their suffering and elevate it to the level of a spiritual experience. The simplicity of their art and the poignant insights of their poetry strike us with a power and honesty that no adult can capture by more sophisticated and intellectual means. This book should be in the library of every person who loves humanity, children, and historical truth. In their creations we experience the evil of war and the redemptive power of childhood's unspoiled sanctity.

The pictures, stories, and poetry written by these children who were surrounded by death and suffering and knew that their own chances of survival were slim tell so much about the human spirit. The depth of these children's understanding of the situation is nothing short of amazing. The tragedy is all the more real when you connect the child's work with his or her date of death. Everyone needs to see this art that comes from such young, innocent souls!

What can I say about this book? It is so powerful. I read it as a child and I never forgot it. Now as a 47 year-old adult I've found a copy as a keepsake to pass on through my generations. This book should be embraced and never ever forgotten. It is a rage gem.

This collection of works is mostly by children who were imprisoned in the Terezin ghetto during the Holocaust. Their writing is hauntingly and painfully honest, devastating, and heartbreaking. Yet, with death all around them, these children dared to hope and dream of a day they would leave the ghetto and return to their normal lives. The adults who taught them hoped the same things. It makes it all the more difficult to take in when one reads the appendix where details are given of the outcomes for these children, the vast majority of whom perished at Auschwitz and other death camps. It makes their hope that much more poignant and breathtaking. Of the 15,000 children to dwell within its barbed wire fences, only 100 children walked out. I highly encourage anyone to read this account of the Holocaust, this true and touching monument to these children and their teachers.

this history about children and thier views during the holocost.

Each year we are require to teach the history of the Holocaust. This year "I Never Saw Another Butterfly" was suggested at our training program. The drawings are exquisite; the poems hypnotic; and the acknowledgement of the artists a trial in grieve, anger, and hope that never again will we allow this happen. Yet, at the same time I write these words, I see and hear on the news that we have not learned a lesson that has already been paid for in blood.

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